This original website is currently maintained by Kinetic
Awareness® Center, Inc. a 501(c)3 not-for-profit corporation founded
by Ms Summers in 1987,
and dedicated to research and development of the Kinetic Arts and Sciences.
With the passing of Ms Summers,
the Archives of Elaine Summers Dance & Film Co. are now at Lincoln
Center Public Library.
For inquiries about archive material (films, photos, scores, etc.) , please e-mail dance [at] nypl.org
For all other contact you can e-mail:
elainesummersdance [at] gmail.com
Thank you so much for your support!:
York Public Library/Jerome Robbins Archive of the Recorded Moving Image
- Tanisha Jones, Anthology Film Archives, DuArt, Emily Harvey Foundation, Experimental
Television Center, Lincoln Center for the Performing Arts, National
Endowment for the Arts, New York State Council on the Arts, New York
University, New York Women in Film and Television, Orphan Film Symposium - Dan Streible, Fales Library - Marvin Taylor,
Movement Research - Rebecca Wender
Thanks to longtime consultant Jenneth Webster, who is missed
dearly, every day.
Film still from Two Girls Downtown Iowa by Elaine Summers, reproduction with kind permission by the Estate of Elaine Summers
This event will be followed by a lecture-demonstration about Elaine Summers and Kinetic Awareness® by Thomas Körtvélyessy at Beyond . . . . Trisha Brown´s Opal Loop on kind invitation by Eva Karczag at ArtEZ Dansacademie, Arnhem, Netherlands, October 10, 2017
To close: the Kinetic Awareness® Center / Kinetic Arts & Sciences, Inc. has launched a new project to celebrate Elaine's living legacy, coordinated by Michelle Berne and Leeny Sack.
A first round of submissions will be accepted until Elaine's upcoming birthday February 20th, 2018. Please download the call for submissions for further information.
Elaine Summers in a performance of her Invitation to Secret Dancers at Solar1 New York City
photo by D. Goldberg with kind permission
Pauline Oliveros 1932-2016, composer, founder of Deep Listening and longtime friend and collaborator of
Elaine's. Pauline has created unforgettable music for dozens of improvisations and performances.
It was her music piece Crow's Nest which inspired Elaine for her intermedia-piece combining film and
dance of the same name. Pauline also contribute as musical co-director and composer for many of Elaine's later
performances, including Hidden Forest and Skytime as well as Elaine's Memorial.
Hans Breder 1935-2017, intermedia artist and professor at Iowa University.
Hans was a longtime friend and collaborator of Elaine's. He invited her
many times as artist-in-residence at Iowa University, where she would
then create works such as Two Girls Downtown Iowa, Iowa Blizzard '73, and show first versions Skydance
as part of the 2nd Experimental Intermedia Festival. Together they
helped create the understanding of intermedia as an art-form in itself,
going beyond mainstream categories.
Elaine Summers Judson Fragments
The Estate of Elaine Summers and the Board of Directors at Kinetic Awareness® Center, Inc.
are delighted to announce that Elaine Summers' epochal film Judson Fragments
showing footage of an exciting era, is now featured in the exhibition
Warm thanks to long-time supporter of Elaine's work, Tanisha Jones,
Director of the Moving Image at the Jerome Robbins Division/New York
Public Library, Lincoln Center,
where the Archive of
Elaine Summers is being taken care of.
Elaine Summers: Absence & Presence
Judson Memorial Church
28 February, 2015
Elaine Summers in rehearsal for "Theater Piece for Chairs and Ladders".
Photograph by Dan Budnik
Church, 55 Washington Square South, New York NY 10012
Doors open at 6pm
Click HERE for the program
Made possible through the collaboration of Elaine Summers Dance &
Film Co. with Judson Memorial Church, Movement Research, Kinetic
Awareness Center, and through a generous grant by the Court Iron Cast
Corporation, SoHo (chairman: Davidson Gigliotti), with the tireless
contribution of all who are donating their time and energy for the love
of Elaine's Memorial. Thank you!
Summers, by Eugene Friedman 1964
� by the Estate of Elaine Summers, all rights reserved
With deep sadness, Elaine Summers Dance & Film & Web Co.
announces the passing of Ms Elaine Summers on December 27th, 2014, 5.30
am at Bellevue Hospital, New York City from the consequences of a fall
that she suffered at her home a few days before. Our
heartfelt condolences go out to Elaine's family, friends,
students, and lovers of her visionary and pioneering work.
Elaine's vision and understanding of movement, which reached beyond
opinions of her time into the present and the future, her wonderful
energy, her deep wisdom, her ability to work with the most minute of
ways, her laughter and encouragement to all who have worked with her,
will all be dearly missed.
May her legacy continue to spread and create beautiful moments for all
who encounter it!
A memorial will be held for Ms
Summers on Saturday February 28th, 6-10
at Judson Memorial Church
55 Washington Square South
New York, NY
We gratefully accept condolences, materials related to
Elaine, and donations firstname.lastname@example.org
or by regular mail to
Broadway, 2nd floor,
New York NY 10012.
Photos by Paula Court, Copyright 2012.
WOW, what a week! We have some beautiful photos to
share with you of
Douglas Dunn and Jon Gibson (flute) performing with Matt Turney (on
film) in Elaine's Windows in the Kitchen at the American Dance
Guild Annual Performance Festival where Elaine was honored for her
life's work. We presented Windows September 6th and 7th 2012,
at the Alvin Ailey Theatre, NYC. On the Friday night, we also invited
our friends on stage for Invitation to Secret Dancers. More
photos coming soon!
This video is from our reconstruction of Ouverture,
presented as part of Movement Research's celebration of the
anniversary. July 6, 2012, at the Judson Church.
OUVERTURE (SPLIT SCREEN & BY CHANCE DANCE
was originally performed in 1962 with fifteen minutes 16mm film & 1
dancer, realized for Judson Dance Theater's First Concert.
The audience is requested to walk through the
movie screen before seating.
In the film: Deborah Hay, Freddy Herko, Richard
Elmslie, Carol Summers, Elaine Summers, Sally Gross, Ruth Emerson,
Blanc, Arthur Levin, Al Carmines, George McGrath, Steve Paxton, Remy
Charlip, Lila Pais, Josh Pais, John Worden, Sally Stackhouse, Harold
Johnson, Joseph Schlichter, James Waring, Arlene Rothlein, Edward
Barton, Rev. Howard Moody, Carolee Schneemann, Clyde, Rosie &
Michael Lax, Christine Myers, Sandra Neals, Phoebe Neville, Larry
Seigal, Robert Rainieri, Al Hansen, Ira Matteson, Bill Meyers, Johanna
Vanderbeek, Carolyn Chrisman, Robert Ranieri, Norma Marder, Lou Rogers,
John Patton, John Hoppe, Kyle Summers, Malcolm Goldstein, John Herbert
McDowell, the parade for the astronauts on their return from the moon.
Don McDonagh and Robert Dunn chronicled the First
"McD: There's an interesting description by John McDowell of the
of the first concert: 'The very first dance that ever happened at
Judson was really very extraordinary in a couple of ways. First, the
beginning of it, which was Bob Dunn's doing and was beautiful. The
dance concert was announced to start at 8:15 and they went upstairs
the sanctuary to find that in order to get to their seats they had to
walk across a movie that was going on. This movie consisted of some
chance edited footage by Elaine Summers and test footage that I made...
And we went on exactly, precisely for 15 minutes. The first dance which
was by Ruth Emerson started on the dot of 8:30. As the movie was just
about to go off, the six people or so involved came out, the movie sort
of dissolved into the dance.'
Dunn: Yes this was really incredible, the beginning of the first
(Judson)concert. It doesn't sound like much now but it was
extraordinary, my hair stands on end to think how that worked. Nobody
ever did anything like that."
from Don McDonagh, The Rise & Fall & Rise
of Modern Dance.
Many thanks to Levi Gonzalez and Sarah Holcman.
Also to the secret dancers who walked thru the split screen.
Going through / organizing Elaine's ephemera for
the Archive, we came across this
The Illuminated Workingman poster we had to share with
It says on the poster the illustration was done by D.Herring but we
Kinetic Awareness Intensive, July 23-27, 2012
(Monday - Friday)
Times: 1 to 6 pm
Location: Movement Research at Eden's Expressway, 537 Broadway, 4th
floor. New York, NY.
Prices: $150 single day, $600 for all five days
Come study with Kinetic Awareness originator and
one of the original members of Judson Dance Theater Elaine Summers,
co-teachers Ann Law
The classes include experiential anatomy, the ball work, listening to
the language of the body,
injury prevention, centering and balancing, keeping your body healthy
through understanding the natural movement of all our systems.
The workshop will cover such topics as:
Your fabulous head & neck
Your great shoulders, arms and hands
Understanding your incredible spine
Your amazing pelvis and legs
Your elastic knees and feet that give you power to use gravity and
The breath of your life: the respiration system
Your expressive sound
Your viscerae: what are they doing? how do they work
Your total body system - how do they talk to each other
For this special issue, they brought together
nearly 80 contributors to the theme of this issue, "PERFORMANCE NEW
Elaine has her contribution "WHAT IS INTERMEDIA, WHAT IS A RAINBOW"
along with many of her friends.
Bonnie's ability to comprehend the importance of
the individual artist to the entire scene where you live is really
Please go to PAJ's website and order
a copy! It is really a must read for anyone who is interested in
New York avant-garde scene from the 60s to the present.
With joyous thanks to all of the friends, swiftly
circulating blood that
keeps New York City scintillating. To encourage and support our
imaginations to give us a world on this little island with all its
This video was shot in 1971 at the first Experimental Intermedia
Foundation loft at 25 East 4th street.
It shows Elaine and Pearl Bowser talking about editing Trisha Brown's Walking on the Wall performance from Whitney
This is an excerpt from 20 minute documentary about the EIF.
Bill Haley Freeman lived on the first floor. The
elevator there was an
old cable elevator, so to use it everybody in the building had to
Bill was a young video maker, and he did the whole tape about the
foundation. It was right after we moved in.
Carman Moore was one the first artists, and
Constance De Jong was our
first administrator. It is Carman's music you hear in the background.
Wednesday, November 2, 2011, 4:30 p.m.
Museum of Modern Art, Theater 2 (The Roy and Niuta Titus Theater 2), T2
We're pleased to announce a special program of
three films, Judson Fragments (1970), Another Pilgrim
(1968), and Windows in the Kitchen
(1977), at the Museum of Modern Art on Wednesday November 2nd as part
of To Save and Project: The Ninth MoMA International Festival of Film
Preservation; the annual festival of preserved and restored films from
archives, studios, and distributors around the world, from October 14
through November 19, 2011.
This screening is one of two programs organized by
New York Women in
Film and Television (NYWIFT) of films preserved through its
Women's Film Preservation Fund
(WFPF). The fund was co- founded in 1995 by The Museum of Modern Art
New York Women in Film and Television in order to preserve the cultural
legacy of women in the film industry. Both programs are organized by
Anne Morra, Associate Curator, Department of Film, The Museum of Modern
Art, in collaboration with Drake Stutesman, co-chair, The
Women's Film Preservation Fund.
IMAGE: Stills from Judson Fragments -
Steve Paxton and Deborah Hay performing The Deposits at
Kutcher's Country Club.
We had a great meeting with Tanisha Jones (director of the Moving Image
Archive at Jerome Robbins Dance Division, The New York Public Library
for the Performing Arts) yesterday.
Her help and support for Elaine Summers
at the NYPL is tremendous, and Tanisha is in charge of preserving the
integrity of many historical works that reside there. She took us on a
tour inside their vault, and you can feel ghost of passions that still
emanate from what they have there. It was a very powerful experience.
On a way out of the building, we noticed an
exhibition - and what a coincidence, it was Eiko & Koma exhibit RESIDUE. Eiko & Koma
and Elaine worked together back in the days and Elaine respect their
work very much. The exhibit was so powerful - we highly recommend it.
It closes on October 30th, at the New York Public Library for the
Performing Arts, Vincent Astor Gallery - 111 Amsterdam avenue, NY NY
10023. The gallery is open Monday - Saturday, please check their
website for more detail.
What a wonderful surprise Ann Law came for a visit and brought
presents for all of us. She surprised us having designed and made
to make our own Kinetic Awareness exercise balls with KA logo printed.
We immediately got the camera and Ann showed us how she likes
to use the ball and we made a video, I am supposed to
put a voice over on top but haven't gotten around to it yet.
I was so excited with this that I couldn't wait to share it with you.
Please contact Ann Law at
annlawdancing(at)gmail.com for purchase inquiry.
RAINBOW MANIFESTO (April 15th, 1966) by a
Rainbow Man/Fluxus artist Ay-O.
Someone please perform this event score and send pictures to us.
for pictures from his exhibition/performance at Emily Harvey Foundation
is a video of conversation between Pauline Oliveros, Ione, Jason
Hwang , Kiori Kawai and Elaine - filmed for Lisbon television channel
announcing the coming performance at the beautiful Fundação de
Serralves/Museu de Arte Contemporânea in Porto under the magnificent
João Fernandes - Elaine
I've been thinking about the stretch of time between when I made Dance
(1962) and now (2011).
The support of Judson Memorial Church during that span of time has been
incredible - all the artists and all the works that Judson has
are so powerful, they still resonate all around the world. Thank you
Brian Aldous (http://www.brianaldous.com/) for great lighting and Jenny
Holub+Johannes Holub (http://www.holubvideo.com/) for excellent
Dance for Carola
Choreographer: Elaine Summers
Dancers: Meg Chang, Dale Andre
Judson Memorial Church, Oct. 30, 2010
Lighting: Brian Aldous
Camera: Jenny Holub, Johannes Holub (http://www.holubvideo.com/)
Editor: Johannes Holub
The program is made possible with public funds
from the New York State Council on the Arts.
The assistance of the New York State Council on the Arts and the
National Endowment for the Arts
is gratefully acknowledged.
The recording was made possible by the cooperation of:
Judson Memorial Church, Rev. Dr. Donna Schaper (Senor Minister)
Jerome Robbins Archive of the Recorded Moving Image
Jerome Robbins Dance Division
The New York Public Library
Oh we have so much to tell you,
the trip to Fundação de Serralves / Museu de Arte Contemporânea
Arte in Porto, Portugal was wonderful.
We did a performance SUN MOON STARS with Kiori and
Thomas (thru ustream from Rotterdam) as dancers,
Pauline Oliveros (accordion), Ione (spoken word) and Jason Hwang
(violin) doing the music, and great sky videos by Aaron Sherwood, Shona
Masarin (images courtesy of NASA), Geoffrey Hendricks, Adolfo (Gatto)
Estrada, and Elaine Summers.
Everybody at the Serralves was just wonderful to
work with, especially -
Cristina Grande, Pedro Rocha, Ana Cristina Vicente (curators)
Carla Pinto (video)
Nuno Aragão (sound)
Rui Barbosa (light)
There's more pictures, videos and music to come.
But for now, we have this 72 hours time lapse videos, SUN MOON STARS timelapse by Taketo.
We just got the poster for SUN MOON & STARS from Serralves.
The woodcut print with the rainbow is by Carol Summers,
Rainbow Falls at Night (1974).
If you want to see more of Carol's work, check out
his skytime page
here, or his gallery here.
Dancer: Kiori Kawai, Thomas Körtvélyessy
(from Rotterdam through Skype)
Music: Pauline Oliveros (accordion), Ione (spoken
word), Jason Hwang (violin)
Video by Aaron Sherwood, Shona Masarin (images
courtesy of NASA),
Geoffrey Hendricks, Carol Summers, Adolfo (Gatto) Estrada, Taketo
Shimada and Elaine Summers
Sun Moon & Stars is a part of SkyDance
Elaine will be doing an Intermedia workshop on
Sunday, April 10 from
2:30 PM to 7 PM at the
Fundação de Serralves / Museu de Arte Contemporânea. Come swirls and
whirls if you are in the
Elaine's film from 1973, Two Girls Downtown Iowa
is part of an excellent group show Down Low Up High.
Performing the Vernacular
at Argos Center for Art & Media in Brussels.
The show features Trisha Brown, Joan Jonas, James Nares, Calico
Mingling+Babette Mangolte as well as Elaine.
These are pictures from Buttons and Button Holes,
Elaine's Videodance from 1978. It was shot in kitchen in the 5th floor
537 Broadway which was the Experimental Intermedia Foundation studio.
The film was produced by EIF.
The video is divided into 4 segments based on
cultures: Italian, Portuguese, American and Jewish.
They read a humorous script/poem Elaine wrote about female domesticity
but in their own languages.
They all had to bring their own ingredients and do it on one take.
In those pictures you see Sao Nunes doing a
Portuguese section. She was the only one who successfully threw
a cup in the air and smashed it as it landed on the floor as you see in
the photos on the left.
All those splendid photos are
taken by Lona Foote.
As we promised, we uploadedanother Elaine and
dancers in a beautiful New York City garden on youtube.
You can read the scanned article about the film from the last entry.
As you see in the film create below, there are few
people we can't identify - CAN YOU TELL US WHO THEY ARE?
Ford Foundation Garden (1971)
The dancers enter the garden and begin dancing.
They mingle, improvising
from personal vocabularies. Uniformed city policemen appears and urges
them to be on their ways. They protest as they continue to dance,
until they moved on to the street and continued dancing.
more on Ford Foundation Building -
Choreographer: Elaine Summers
Dancers: Nanette Siebert, Alexandra Ogsbury,
Rosemary Butcher, David
Myles, Marilyn Wood, Elaine Summers, and a mystery gardener with a hose
who is he?
Music: Jon Gibson, Mystery Flute player - help us
Camera and Edit: Mystery guys from NYU Film. Do
you know them?!
This, we found in Elaine's archive. It talks about her Ford Foundation
film very well.
Incidentally We just digitized the film as well.
We'll post the video soon.
from Element, June-July 1971. vol. 2 no. 5
by Marietta Milbert
Here are some pictures from the SKYTIME/SKYDANCE/SKYWEB
- IMPROVIZATION with SUN+MOON+STARS on
November 5, 2010 at Emily Harvey Foundation. It was a very fun evening.
Thanks Kiori+Thomas+Pauline for the spirited
improvization, and Ione for organizing this event. Lisa was awesome in
setting up and projecting video feed from
Holland! We'll post the video documentation soon.
photo of Kiori Kawai by Jeff Fox at
Invitation to Secret Dancers
The festival runs from Oct. 1 to Nov. 30 and
Elaine is presenting her SKYDANCE/SKYTIME/SKYWEB - IMPROVIZATION
FOR SUN+MOON+STARS which features Kiori
Kawai solo dancing
with multiple projections of evening sky and stars with music by
In continuation of the developing evolution of SKYDANCE/SKYTIME/SKYWEB,
and as a transection of a multiplicity
of times and places, Thomas Körtvélyessy will be joining this
stage of the ongoing performance via
satellite from Rotterdam Holland with the help of Adolfo Estrada,
Stichting Stadspodium Rotterdam, Heidegger Studio, Demetri
Esdelacropolis, Yoland de Pater / zwart konijn, and Roel Koppelaan /
This performance was made possible in part by a
generous contribution from Judson Memorial Church.
Elaine Summers Dance and Film
Would Like to Thank: Russell Connor, Paula Court,
June Ekman, Sandra Lea Gibson, Lana Wilson, Leah Gitter, Ed Brand David
Gitten, Thomas Houser, Tanisha Jones of The New York Public Library, Thomas
Körtvélyessy, Andrew Lampert, Jonas Mekas, Pedro Lujan, Don & Leslie McDonagh,
Alison Knowles, Judy Hussie Taylor, Hans Breder, Lily Cohen, Dan Streible of The NYU
Orphan Film Symposium, Pauline Oliveros, Ione, Davidson Gigliotti, Sam Friedman,
Douglas Burack, Christian Xatrec, and all the dancers in all the realizations of
SkyTime/SkyDance/SkyWeb and The Danspace Project. and thank you also to any of those we forgot
Program for Fantastic Gardens,
Judson Dance Theater, 1964. Design: Carol Summers.
Elaine is part of A SUNCTUARY FOR THE ARTS: JUDSON MEMORIAL
CHURCH AND THE AVANT-GARDE 1954-1977,
WHEN: Oct. 29 & 30, 8 PM WHAT:TWO PERFORMANCES: IN HONOR OF JUDSON WHERE: Judson Memorial Church - 55 Washington
Square South, NYC
Elaine will be doing Dance for Carola. Dance for Carola, a solo without music that
was structured as
"one thing" opened Concert#6 at Judson Memorial Church back in 1963.
Friday Oct. 29, Merian Soto, and Oct. 30, Meg Chang will be dancing.
TICKETS $20 (students/seniors $10) with work by
Toby ARMOUR, Arthur
AVILES, Remy CHARLIP, Malcolm GOLDSTEIN, Aileen PASSLOFF, Yvonne
Carolee SCHNEEMANN, EmmaGrace SKOVE-EPES, and Elaine SUMMERS.
"Jill Johnston, a longtime cultural
critic for The Village Voice whose
daring, experimental prose style mirrored the avant-garde art she
covered and whose book "Lesbian Nation: The Feminist Solution"
spearheaded the lesbian separatist movement of the early 1970s, died in
Hartford on Saturday." - WILLIAM GRIMES, from New
York Times, Sept. 21, 2010
While I was away I read all
writings of Jill's about world of dance in
NYC, she was always essential part of the dance world as she was very
present in the world of avant-garde writers, poets, dancers and
All this time she was writing and researching about her lost father and
finally completed the exciting mystery book England's Child: The Carillon
and the Casting of Big Bells. My special favorite of all
wonderful, evocative words she wrote about Fantastic Gardens - "Fantastic
Gardens was like a garden party gone somehow haywire" Our
condolences to Ingrid. - Elaine Summers, Sept. 30, 2010
We will be hosting NOT-FOR-PROFIT:
501C3 WORKSHOP & DISCUSSION.
This is not to be missed for anyone who is interested in 501C3
A wide range of topics will be covered -
1. Should you or shouldn't you; 2. What would it give you; 3. How to
structure; 4. Q&A session.
WHAT: NOT-FOR-PROFIT: 501C3 WORKSHOP &
DISCUSSION WHO: Douglas Burack: Lutz & Carr WHEN: Tues, July 27, 2010. 5:30 - 8:30 PM,
FREE ADMISSION WHERE: 537 Broadway #2 (bet Prince &
Please R.S.V.P. Email:
email@example.com with subject '501C3 WORKSHOP'.
Photos of Illuminated
Workingman by Paula Court and Robert Lowe
Thanks to NYSCA, NEA, SUNY Buffalo, Dr. Gerry O'Grady and the city of
Crow's Nest at Danspace/St. Marks Church,
3/18/2010, with Dancers: Meg Chang, Jill Green, Gabriella Hiatt, and
We will be posting the amazing music that enthralled and captivated us
at Elaine's Danspace/St. Marks Church event: Jon Gibson's
haunting flute solo for Windows in the Kitchen, Pauline
Oliveros and her singers'Tuning Meditation made Crow's
Nest a truly immersive experience; and Carman Moore and his
Skymusic Ensemble provided the drama and flair to the new piece Improvization
Today, we post an excerpt from Tuning
Meditation by Pauline Oliveros and her singers. It was an
emotionally evocative experience to hear approximately 40 singers
communicate through pitch and tones.
First run through at Danspace Project, 3/11/2010, from L to R: Meg
Chang, Jill Green, Douglas Dunn, Gabriella Hiatt, Kevin Ho, Kiori Kawai
and Elaine Summers
We think Elaine Summers Dance+Film+Web Company Improvization with Sun, Moon, & Stars -
SkyDance/SkyTime/SkyWeb was a big success. We will be posting
videos and photos here soon - but in the meantime, here are some reviews
Thank you everybody at Danspace - Carol Mullins,
Leo Janks, Judy
Hussie-Taylor, Abby Harris Holmes, Abigail Ramsay, and the curator
A choreographic sketch by Elaine Summers for the performance of SkyDance/SkyTime
at the Solomon R. Gugghenheim Museum in 1984.
Please visit http://www.skytime.org/skytime_history.html for a
history of SkyDance/Skytime.
PLATFORM 2010: Back to New
Curated by Juliette Mapp
Elaine Summers Dance+Film+Web Company Improvization with Sun, Moon, & Stars -
March 18, 19, and 20, 2010 at 8PM
Admission: $18, $12 Members
Danspace Project: 131 East 10th Street (at Second
tel: 212-674-8112 tickets: 866-811-4111 www.danspaceproject.org
delight of working with Matt Turney
"Ms. Turney was a luminous still
center in the dramatically charged
Graham company, which she joined in 1951 and left in 1972." - Jennifer
Dunning, from New
York Times, Dec. 29, 2009
Imagine the excitement of creating a dance with Matt's exquisite
imagination and the excitement of capturing her dance on film.
I looked for her and I couldn't find her because she moved on to new
Elaine Summers, Jan. 7, 2010
We have been busy updating Skytime.org website and
preparing for 3
evenings at Danspace, curated by Juliette Mapp. But here is a video
sample of my work with Kiori - Elaine
We received a very peculiar letter the other day.
It was addressed to Film+Cinema Inc., and there was no return address.
We know it was mailed in Oklahoma City because of post office stamp.
Inside, we found a letter and a five dollar bill.
The letter reads:
"Dear Film and Cinema,
I owe Andy Warhol and Joe Dalesandro $5.00 to pay for the viewing of
I don't know the name of the film. But I saw it on a campus film
Enclosed is $5.00 dollars.
We have no idea who sent us this letter - but we
really would like to find out.
It's starting to feel like a summertime and I
don't care too much about
NYC Summer. Too hot and too humid. When I can't get to sleep, I try to
think about snow and running around in a field of snow. There should
be a film about people running around in a snow field...wait, there is?
Naturally - here goes! A dancefilm by Elaine, IOWA BLIZZARD
(excerpt), edited by Bill Rowley.
IOWA University, Iowa City, IOWA. 1973
Thanks to NYSCA, NEA, Bill Rowley, IOWA University - Iowa City,IOWA
and Prof. Hans Breder and the Center for the New Performing Arts.
Ellen Saltonstall is a master senior teacher of Kinetic
She has just co-written an all-encompassing book about Yoga for
Arthritis. It is a comprehensive clear and direct knowledge of the
connection of Yoga excercises that relieve pain and develop flexibility
for specific problems of arthritis.
You can buy it here.
I highly recommend it. Bravo! - Elaine
Elaine's inspiration and a dear friend Anna
Halprin's Planetary Dance is this Saturday, June 20th!
It's a participatory ritual on the top of Mt. Tamalpais. Click HERE for more
Scott Hull, who is an excellent photographer, shot
and edited this video of workingmen outside our building.
Our Intermedia media screening "Making
the Anthology Film Archives was a success! Thanks
to everyone who came out.
Scott Hull took some beautiful documentations, we'll be posting them
In the mean time, there are few events by our friends - please click on
the photos below to see the detail. Thanks!
The Experimental Television Center's
Presentation Funds program is supported by the New York State Council
on the Arts.
November 13, 2008
The day before the historical presidential
election on Nov 3rd, 2008,
Elaine enlisted several of her friends to mount an Intermedia guerilla
public event. With a slide projector and several dancers we hit the
street without any concrete plan of action. We were able to project
images from Bari's Cafe (thanks guys!) on a north west corner of
Broadway and Spring street, while the dancers danced in white costumes
and a couple of white bed sheets in front of the cafe.
Elaine was extremely happy with the result and hopes to develop the
piece into a new piece called "Galumphing".
Dancers: Kiori Kawai, Jessica Higgins, Joanna R
Steinberg, Joshua Selman and Mark Lanham.
Scott and Mark trying few things before going downstairs.
Elaine w/ dancers: Jessica Higgins, Kiori Kawai and Joshua Selman of
September 25, 2008
Here goes the most recent performance of Crows
Nest/ Solitary Geography
in 2005. Crows Nest was premiered at the Guggemheim Museum in 1981 for
the Intermedia Festival by Experimental Intermedia Foundation which
Elaine founded in 1968. This recreation was performed at Boston Center
for the Arts Cyclorama and organized by Alissa Cardone and Alla Kovgan,
members of an intermedia performance collaborative Kinodance Company.
Performers include Alissa Cardone, Ingrid Schatz, DeAnna Pellecchia,
Debra Bluth, Olivier Besson and Laura Quattrocchi.
Video by Charles Daniels
September 23, 2008
We edited a short video of Illuminated Workingman
for Elaine's interview on the Performance Art Journal.
IWM was performed at Niagara Square, Baffalo in 1975. Thirty minutes of
dancefilm was projected across a 120 ft-wide screen suspended on the
columns of City Hall. The film projected onto the screen captures the
faces, feet and actions of Buffalo workingmen, from a man guiding a
airliner into position at Greater Buffalo International Airport to a
Buffalo Sabres hockey player gliding across Memorial Auditorium's ice.
Elaine choreographed and directed the intermedia film footage, Tony
Bannon filmed this beautiful documentary footage, with Caman Moore
September 4, 2008
A new issue of Performance
(PAJ 90) just came out. Please pick up a copy and read "Gardens of
Light and Movement", a 15 page interview with Elaine by a writer/artist
Kristine Marx. We would like to thank Bonnie Marranca, a long time
editor of the magazine, Kristine Marx, and Paula Court - whose pictures
illustrate the article.
You can pick up a copy of the journal at McNally Jackson
if you are in Soho area in NYC like us, or order online from MIT
photo and collage by Elaine Summers (1969)
Dan Streible (of Orphan Films
and NYU) have been a big help to us recently. Dan and his former
student (also our most recent staff) Gabriella Hiatt have found
Elainie's early film Another Pilgrim (1969-BW-41min) and we are
discussing some exciting future plans.
Elaine's NEW PROJECT!
It will be performed on August 23rd, 8pm at Lincoln Center South Plaza.
It is FREE and open to public. Click
HERE for the project page, we will be putting lots and lots of
stuff. - taketo
21 years ago Elaine Summers directed and choreographed an Intermedia
opus for the Lincoln Center -Out-of-Doors Festival entitled Flowing
Rock/ Still Waters. Now in 2007, Elaine has been invited to choreograph
new Intermedia work where the dancers are interacting with video
projections of the dancers filmed during the performance of Flowing
Numbers of Elaine's friends will be participating: Pauline Oliveros,
Alison Knowles, Thomas Kortvelyessy and Joshua Bisset to name a few.
Hurrah for Yvonne Rainer. Magnificent film/dance
here to see the detail on her Gala Performance / Dinner. See you
there! - elaine
The exhibition is a work in progress "constructing
the archives of Elaine Summers".
Come join us to the archiving of Elaine's
choreography, Intermedia works, Kinetic Awareness, DanceFilms and much
DanceFilms and film documentaries will be screened
Special Thanks to Emily Harvey Foundation, Friends
of the New Cinema:
Jonas Mekas, NYSCA, NEA, The Jerome Robbins Dance Division of The New
York Public Library, Dr. Gerry O'Grady, City of Buffalo, Jenneth
Webster, The Lincoln Center Out-of-Doors Festival, The Museum of Modern
Art, The Guggenheim Museum, Otto Piene, Elizabeth Goldring, Center for
Advanced Visual Studies - MIT, Jacob's Pillow, Brooklyn Museum and many
January 8th to 31st, 2 to 7pm (or open by appointment.)
Projection, camera, dance, installation. Exploring ways of sketching for Intermedia work
A chance to see yourself dance in video projections.
A chance to choreograph video images.
Choreographic notation with video camera.
Elaine will provide 2000 sq ft loft space with video projectors,
If you wish please bring your own video camera.
$25 per class (limited to 10 people)
"My favorite part of the class was the film. It
movement look so interesting, and the contrast between the light and
shadows of the body was really cool. It really gave me some
interesting ideas for choreographing."
from Intermedia Workshops at
the New World School of the Arts, Miami, FL. Oct 2006
with thanks to Dean Daniel Lewis, Dale Andree, Emily Harvey Foundation
Friends of the New Cinema: Jonas Mekas and NYSCA.
/ Spring 2006 -
We found a 3/4"
videotape of the rehearsal for SKYDANCE by Elaine
Summers with air sculptures by Otto Piene for the 2nd Intermedia Art
Festival at IOWA University, Iowa City, IOWA. 1980.
Thanks to NYSCA, NEA, IOWA University - Iowa City, IOWA and Prof. Hans
Thanks also goes to the Center for Advanced Visual Studies at M.I.T.
and the Experimental Intermedia Foundation.